Artist Spotlight – KC And The Sunshine Band

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kc2 Artist Spotlight   KC And The Sunshine Band
[lastfm]KC and the Sunshine Band[/lastfm] is an American musical group. Founded in 1973, their style has included funk, R&B, and disco. Their most well known songs include the disco hits That’s The Way (I Like It), (Shake, Shake, Shake) Shake Your Booty, I’m Your Boogie Man, Keep It Comin’ Love, Get Down Tonight, Give It Up, and Please Don’t Go. They took their name from Casey’s last name (“KC”) and the “Sunshine Band” from KC’s home state of Florida (‘The Sunshine State’).

The group was formed by Richard Finch, a budding studio engineer prodigy at TK Records and Harry Wayne Casey (“KC”), a record store employee and part-timer at TK Records in Miami. [photogallerylink id=1001]Though both worked at TK Records, their meeting was not immediate, with Finch spending much of his time in the recording studio working with other TK artists and Casey on the phones at the front desk. An introduction by Clarence Reid through a mutual friend was the beginning of their musical connection. Following demo work, Casey and Finch were encouraged to create their own group. The initial members were just Casey and Finch (first starting out as songwriting collaborators), but Finch soon added guitarist Jerome Smith (June 18, 1953 – July 28, 2000), and drummer Robert Johnson, both TK studio musicians.

The first few songs, “Blow Your Whistle” (September 1973) and “Sound Your Funky Horn” (February 1974), were released as singles, and had limited impact. However, a side project writing and producing music for George McCrae took Finch and Casey’s “Rock Your Baby”, featuring Smith on guitar, and made it a hit in mid-1974, selling 11 million copies worldwide. The band’s “Queen of Clubs”, which featured uncredited vocals by George McCrae, was a hit in England, peaking at #7, and they went on tour to England in 1975 off that success.

With the release of the self titled triple platinum second album KC and the Sunshine Band in 1975 came the group’s first major US hit with “Get Down Tonight”. It topped the R&B chart in April and the Billboard chart in August. “That’s the Way (I Like It)” also became a number one hit in November 1975 and the group did well at the 1976 Grammy Awards. The 1976 album Part 3 yielded three top 5 singles: “I’m Your Boogie Man”, “(Shake, Shake, Shake) Shake Your Booty” and “Keep It Comin’ Love”. [photogallerylink id=16327]Their success lasted until the fifth album and 1979—80; their last chart topping hit was “Please Don’t Go” in December 1979, hitting #1 for one week in January 1980, and becoming the first #1 hit of the 1980s. With the declining popularity of disco, the group explored other styles and changed labels, joining Epic Records in 1980 after TK Records went bankrupt.

In 1981, the partnership between Finch and Casey came to an acrimonious end. Two years after the release of the previous album, the group released two solo albums with new material, geared toward pop: The Painter and Space Cadet. These albums generated little success, but in 1982, a hit track called “Give It Up” on the album All in a Night’s Work (recorded before Casey and Finch split partnership) brought a return to success in the UK, and appeared two years later on the United States Billboard Top 40. The song was also featured on the band’s next album, 1983′s KC Ten. Epic Records, however, refused to issue the song as a single due to its prior failure in the US. Because of this, a frustrated Casey formed Meca Records, releasing the single himself on this label in a final attempt to garner the song some success in America. It worked, but the album still failed to surpass expectations. This led to the group falling into stasis around 1985 with Casey’s retirement.

A revival in the interest of disco music in 1991 brought Casey out of retirement. He reformed the group with entirely new members except for the percussionist and began touring once again. Some of the original members of the band are now deceased. The new band has released a large number of compilation albums through Rhino Records, featured along with some newly recorded material. The album Oh Yeah! was released in 1993 after a ten year gap between new albums, excluding compilations.

On July 28, 2000, Jerome Smith (rhythm guitar) died accidentally while working as a bulldozer operator.

In 2001, the band made a brief comeback into the music scene after an eight-year lull with the release of a new album titled I’ll Be There For You. The album was praised by critics, but it failed to generate any impact on the charts or in sales. More recently, the group had an appearance in the 2003 remake of the movie The In-Laws.

Several KC/Finch songs have been included in the Dance Dance Revolution series of dance video games. That’s the Way (I Like It) was included in the original Dance Dance Revolution, Shake Your Booty was in Dance Dance Revolution 4thMix and Get Down Tonight was in the American home version of DDRMAX2.

The song Keep It Comin’ Love was on the soundtrack of the movie “Blow” about 1970s and 1980s cocaine smuggler George Jung.

The track ‘I’m your boogie man’ was used in the 2009 film of the graphic novel, ‘The Watchmen’ .

Additionally, many KC/Finch songs, most frequently “I Get Lifted,” have been sampled for hip hop songs.

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  • Loni Reeder

    As Richard Finch’s publicist and manager, it is nice to see the truth accurately portrayed on the Internet for a change.

    There have been numerous attempts by a select few to exclude and erase Mr. Finch from his own legacy, stating that his contributions to the origins of ‘KC and the Sunshine Band’ were minimal at best. If anyone doubts the validity of Mr. Finch’s place in co-founding KCSB with Mr. Casey, I am happy to make public ORIGINAL early 1970′s press clippings from Rolling Stone Magazine and others, and also internal media generated by Henry Stone and TK Records (dated 03/27/76), which states:

    At TK, KC met Rick Finch, who came in at about the same time. “Rick was accepted in the studio faster than I was,” says KC, alluding to Rick’s already highly developed audio engineering skills.

    Though Mr. Finch is currently sidelined by a legal matter which we believe will be resolved in his favor very soon, it’s important to note that his expertise in the studio still serves others today, with the 2010 Grammy voting committee bestowing in total FIVE, first round nominations upon a band he produced (NEVADA), with three of those including Best Producer noms for Richard Finch.

    Without question, there would have been no successful incarnation of KC and the Sunshine Band had it not been for the sound/producing expertise, forward thinking and uncompromising vision of Richard Finch.

    I will work relentlessly to ensure that history continues to reflect that undeniable fact.

    Loni Reeder
    Manager / Publicist to Richard Finch

    • connie

      I am right behind you Loni and I totally believe in Rick Finch 100%…Love, Connie Wilkins

      • Priscilla Rink

        You can’t ‘unwrite’ history. This is not the time of the pharoahs, where former leaders were stricken from the monuments and books as if they never existed by the new king. This is the 21st century, where a man’s work will stand as long as there are laws to protect the written word. It’s low and base to seize any dire situation to forward ones own status in the public eye. If Mr. Finch’s former band members have any integrity at all, then the power of their musical talent will shine. And they won’t have to lower themselves to such a level in debasing Mr, Finch as means to gain popularity or fame. So..that being said..let’s see what THEY have in talent and technique. Put up, or shut up. Stop using the media and critical situations to try to look ‘better’. It only makes them look, foolish. God bless , Rick in retrieving a life once this passes– and may he get back all he needs for a professional life in music again.

  • Brian Thomas

    I have to agree with Loni and Connie. Finch was definitely the man to bring this group to the “Super Stardom Status”

    I watch the new band on you tube, and the only comments that I see is how good of a show they put on.

    I listen to the Music, and it’s nothing comparable to the Original Band put together by Finch/Casey. It is mediocre at best.

    I mean, the dancers and light shows and dramatics are nice, but if you have to do all that to distract your audience from the sound and vocals, I think you are failing as calling yourself artists and succeeding as calling yourself entertainers.

    I liked the Band from the 70′s, when they were at the height of their game, and they were produced correctly, had band members that could bring the house down without all the “Circus Like” theatrics. Real Players in the game.

    I’ve also read K.C.’s denial of importance and contribution that Finch was to KCSB. In my eyes, and this is just my opinion, I really doubt without Finch’s Insight, ingenuity, hard work, persistance in making things perfect,and overall dedication that there would have ever been a “K.C. &The Sunshine Band”

    • Ricky-Ticky’s Friend

      It is bizarre at best to “deny and minimalize” someones contribution when something is written in stone so to speak.

      It is impossible to deny someones contribution when record pressings from 1973 have Rick Finch’s name on it.

      How can that be if according to the re-writers of history he did not join until a year later.

      Someone must redo their math !

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